Zämänfäs Qeddus, The debtor who lived in a far country paying the creditor from where he was, from the Gondar Homiliary. Late 17th century. Ink and pigments on parchment. Image source: The Walters Art Museum.
Growing up, we had strange bedtime rituals. In Peoria, Illinois, when my
sister and I were very young, my father would sit between our beds and
tell us stories of animals who fought, lied, and cheated their way
through the jungle world he invented for us. There were dense forests,
green hills, and rivers. There were lions, crocodiles, zebras, giraffes,
and laughing hyenas, which my father, in his raspy scarred voice, would
imitate. The heroes of the stories were always two mischievous monkeys
who could cheat all the other animals who, while taller, stronger, and
more ferocious than them, lacked their wit. In the end the monkeys
always found refuge at the top of the tallest trees—a vantage point from
which, in retrospect, they would have had a clear view of all the havoc
they had caused.
As a child, I didn’t think of the stories as being particularly related
to Ethiopia, or, on a broader scale, Africa. I didn’t think about where
this landscape, with trees that, according to my father, were larger
than anything I could imagine, came from, or what these animals, whom my
father spoke of as if real intimates, were doing in the crowded and
deeply divided bedroom my sister and I shared. They were ordinary
fictions, bedtime tales invented wholesale each night, sprung
effortlessly from my father’s mind like a long, deep breath. And so
there he is, in both memory and imagination, straddling the narrow space
between our beds with these stories that my sister and I were both
desperate to hear, clueless as to how far they had traveled to wash up,
as if by accident, in Middle America.
My father, of course, eventually stopped with the stories. He might have
done so because we no longer asked him to tell us them, or because we
were old enough to read on our own, or because it was the mid-1980s, and
Caterpillar, where my father worked, was going through a round of
layoffs that would bankrupt my parents’ plans of buying their first
home. Or perhaps he stopped because suddenly, everywhere we turned,
Ethiopia, or one tragic version of it, was staring back at us. There it
was on the evening news, dying of hunger, and there it was in the
well-intentioned questions of strangers who must have been baffled to
hear my father declare that he was a political exile, one who had fled a
civil war, the same one that was helping cause the famine. I became
conscious around then of my father’s politics and that growing
consciousness meant eschewing childish things. I saw how he read and
watched the news with an almost religious devotion. I remember him
voting for Reagan as a newly minted US citizen, because Reagan, like my
father, hated the communists, both in Russia and the ones who had taken
over Ethiopia. I remember staying up past my bedtime to watch the news
of the US bombing of Libya. It was a strangely celebratory mood in our
apartment—my father applauding the president as he spoke from the Oval
Office, and then, later, calling the White House to share his
overwhelming, wholehearted support. The Libyans weren’t communists, but
Gaddafi was a tyrant, just like Ethiopia’s Mengistu Haile Mariam. On the
scale of things, Tripoli wasn’t that far from Addis Ababa, and now,
after that evening, who knew where in Africa America’s bombs might land
next.
My father was certainly a political man before fleeing Ethiopia in 1978
while on a business trip to Italy. He came from a prominent family, had a
good corporate job working with Ethiopian Airlines, and had imagined
himself in politics once he was more established. He told me that when
he left Ethiopia, he always imagined it wouldn’t be for long; he
expected the communist government that had taken over in 1974 to quickly
fail, and when it did, he, like thousands of other refugees in exile
the world over, would rush back home to save the country. When my
mother, sister, and I arrived in Peoria in 1980, he must have already
begun to learn to live by a different narrative. We were digging our
heels deeper into America, but time and even distance were irrelevant
when it came to the politics of home. By the time we moved to the
suburbs of Chicago seven years later, I had thoroughly absorbed my
father’s secular faith. At nine years old, I considered myself a
conservative, a Reagan-loving Republican. I wore sweater vests to school
and on Sunday mornings sat through the morning news shows as American
foreign policy, which was what my father loved most, was debated. In the
evenings, my father and I developed a new bedtime ritual. We traded in
the amoral, mischievous monkeys for issues of US News and World Report.
I read about foreign and domestic policy over my father’s shoulder,
ignoring what I didn’t understand, trying hard to commit to memory what I
did.
*
In all that time, from Peoria to Chicago, I rarely heard anyone speak
directly of what was happening day to day, year to year in Ethiopia. I
heard my parents say they couldn’t go back so long as the communist
regime remained in power: that power was its own frontier—as long as it
remained, very little existed on either side. There was little talk in
our house of what came before the regime, or what could possibly come
next. In the bedtime stories my father told, Ethiopia was never named as
backdrop. When my father spoke of his brother’s death during the early
blood years of the revolution, it existed almost outside of space and
time—a myth that shaped everything in his world and yet didn’t belong to
it. What’s obvious now is that it was in those absences—in the strange
silent spaces that couldn’t be named or described—that Ethiopia was most
fully alive and perhaps best understood.
*
On May 21, 1991, the military dictatorship that had ruled Ethiopia for
seventeen years was forced out of power. I heard the news on the radio
while driving through a shopping mall parking lot in Forest Park,
Illinois. My father clapped, cheered, smacked the steering wheel. He
said, repeatedly, as we pulled out of the lot and onto Roosevelt Avenue,
something along the lines of, “This means we [I] can go back,” or, “Now
we can go back home.” This is memory, though, so it’s possible that my
father had already heard the news, and had waited until we were driving
to tell me, and it’s equally possible that my father wasn’t even in the
car, and that I’ve unintentionally imposed those words on him. My father
had been away from Ethiopia longer than I had been alive, and the
longing that distance brought had bled through the generations. I
remember for certain that I felt something significant was happening to
my relationship with the world when I heard the news. I remember
thinking that it felt right to think of Ethiopia as home, because just
as I had adopted my father’s politics, I had assumed his nostalgia as
well. I had pictures of Ethiopia on my bedroom wall; I wore the ornate
Coptic cross around my neck, and now that the government was gone, spent
large portions of each day imagining what it would be like to return.
While I remained suspicious of his memories, it was this beautiful version of Ethiopia that I imagined myself walking across.
With the government gone, my father moved beyond fables and grief. He
told me about the endless tracts of land his family had once owned
before the “bastard communists” stripped them away—land that, of course,
bore a resemblance to the animal-rich landscape of his stories. While I
remained suspicious of his memories, it was this beautiful version of
Ethiopia that I imagined myself walking across.
*
One of the great post-Cold War miracles was the brief moment when
millions of people like my father believed they were finally able to go
back home. The Berlin Wall fell, the Soviet Union was dissolved, and
deeply oppressive and isolating regimes that had made their borders
nearly impregnable crumbled, as if all that fear and terror had been
just a terrible, terrible mistake. In the wake of the Ethiopian
government’s collapse, the pastoral beauty of my father’s stories took
on new meaning and shape. At night and on the weekends, I watched as he
spent hours on conference calls with men living in California,
Washington, DC, New Jersey, London. They organized meetings, formed
committees, raised money, hired a DC lobbyist, and established a
hierarchy of power in exile. My father, naturally, played a prominent
role, just as he had once dreamed of doing. He had multiple titles; he
gave freely of his time, but perhaps his most important contributions to
the imaginary, fledgling state hatching in suburban backyards across
America were the position papers and speeches that he wrote by hand on a
series of white legal notepads that piled up on his nightstand. He
wrote these in Amharic, and often, when he was finished, he would tell
me that he wished I could read them. That was where he now stored all of
his dreams of Ethiopia. He was proud of his work, certainly, but even
more important than that, wasn’t this precisely what we had been
preparing for all these years—this strange gathering of fiction,
politics, and imagination?
*
I eventually asked my father to describe in detail the country he had
grown up in. I came home for vacations and holidays, first from college
and then from graduate school, still imagining, along with my father,
what home looked like. I listened to his descriptions with equal parts
admiration and skepticism. I assumed the horses he said he had ridden on
daily, like the hyenas that had stalked the farm animals at night, were
dramatic extensions of a well-told story, and why not? Another decade
had passed, and none of us had returned. I was now far from
conservative, and while I still remained invested in politics, I
believed more deeply in the value and necessity of fiction. I began to
think the same was true of my father, who, along with hundreds of other
men, persisted, year in and year out, in building a version of Ethiopia
that included them. I heard my father speak once again of not being able
to go back to Ethiopia. He believed the new government—increasingly
authoritarian and intolerant of dissent—would make it difficult for
someone like him. Exile had long since ceased to be a temporary
condition, but what I hadn’t known was that like love, it could deepen
with time. It was a
state, one with its own increasingly entrenched borders that made it
difficult, perhaps even impossible, to see what was on the other side.
The conference calls and meetings had grown to include protests outside
the Ethiopian embassy in DC, and now in conversations both direct and
overheard my father spoke of the future of Ethiopia in the bleakest
terms.
*
It was twenty-five years, almost to the date, when I finally returned to
Ethiopia. A year earlier, during the country’s first elections,
soldiers opened fire on hundreds of unarmed protesters demonstrating
against the deeply flawed election results; an indefinite number were
killed, thousands were arrested. When I arrived in Addis Ababa, the
capital, anger at the government seemed universal, but life had
otherwise returned to normal. My aunt, who had never left Ethiopia,
mocked our understanding of the post-election violence.
“You see things in American and you think everything is finished,” she
said. “We stayed home for five, six days. Then that was it. We went back
to work.”
I carried with me the contact information for my father’s closest
friends and family, many of whom he hadn’t seen in almost thirty years. I
have rarely laughed as often with strangers as I did with my father’s
friends, all of whom told me to deliver the same message: Come home.
Life here is better than you can imagine.
Even before we reached the valley, I knew how wrong I was to think my father had invented the landscape.
A week before leaving Ethiopia, I met, almost by accident, a first
cousin of my father’s, a man whom, until the day we shook hands, I
didn’t even know existed. Three decades earlier, he and my father had
split over political differences, and despite growing up like brothers,
had never spoken since. On my last week in Ethiopia, he brought me to
the countryside where he and my father were raised. Even before we
reached the valley, I knew how wrong I was to think my father had
invented the landscape. After driving for one, maybe two hours, we
stopped abruptly on the side of the road and were greeted by men with
horses. We rode on horseback for another hour, up perfect green hills,
over tumbling streams, until we reached the tree where my father was
born. Even the exaggerated grandeur that can come with memory falls
short in describing it, so perhaps it’s best to simply say that it was
larger, and older, and more beautiful than any tree I’ve ever seen.
On our way back to the car, my cousin explained to me that all this was
about to change. Roads were being built, more families were leaving, and
this type of rural farming wasn’t sustainable any longer. There were
hardly even any wild animals left, he said. Nothing at all like when
they were children. We left the village just before the sun set, and
whether it was real or not, I will swear unto my final breath that as we
pulled away, a skulking pair of hunch-backed hyenas stopped in the
middle of the road, only a few feet away from our car, as if daring us
to leave.
Dinaw Mengestu is the award-winning author of How to Read the Air and All Our Names. His debut novel, The Beautiful Things That Heaven Bears,
garnered critical acclaim for its haunting depiction of the immigrant
experience in America, earning him comparisons to Fitzgerald and BABEL
alum V.S. Naipaul. The recipient of the National Book Foundation’s “5
Under 35” award, The New Yorker’s “20 under 40” award, The Guardian First
Book Award, and a MacArthur “genius” grant, Mengestu was born in
Ethiopia and immigrated to the US at the age of two. A graduate of
Georgetown University and Columbia University’s MFA program in fiction,
Mengestu’s articles have appeared in Harper’s, Rolling Stone, and The New Yorker.
To contact Guernica or Dinaw Mengestu, please write here.
No comments:
Post a Comment